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13 December 2006

pinot noir heaven from the cellar masters

After a busy weekend and busy week, we had the privilege of hosting a special wine dinner for a local group named the Cellar Masters (the members created the elite crowd as a spin-off from the local Chaine des Rotisseurs).  The table was set for 16 guests, and the theme of the night was pinot noir with each member bringing in bottles for blind tastings.  Most of the pinot's averaged $300 or more and were opened randomly throughout the 7 course meal.

The menu writing evolved a little differently than usual for us.  Instead of pairing courses to specific bottles of wine, we chose four to five general aspects of pinot noir's complexities to guide each dish, and Chef K listed them out on the menu as an aide for matching them to the wines.  The food we put out was well received by the group, who came into the kitchen afterwards to thank the entire staff and ask thoughful questions about the creations.  Their open-minded interest and food knowledge made the dinner incredibly worthwhile for us.  The courses for the night unfolded as noted below.

Cellar_masters_010

Skinless Sweetbread Sausage, burnt balsamic meringue, vegetable sprouts, celery root chip

profile:  tart, celery, creamy, earthy

This dish was an old school meets new school MG dream for me.  For the sweetbread sausage, we prepared the sweetbreads classically with a milk soak followed by poaching briefly in acidulated water.  After removing the membranes and cleaning them, I minced them and added 1% Activa RM by weight and l'epice de pate then rolled them into logs.  They were then poached again in 120 degree F water to help set them.  Afterwards, they were chilled and sliced into the above portions... seared in beurre noisette, sauced with a deglaze of balsamic and demi glace mounted with butter.

The 'meringue' is simply balsamic reduction whipped up in a mixer with Versawhip 600K.  The sugars in the balsamic and the stability of the Versawhip allow it to be browned with a torch.  I love this dish because it takes a little of everything I love about cuisine and  brings them together in beautiful harmony.  It also proves that MG techniques and classical methods can work together.

"If you want to synthesize, I empathize."  -- Andre 3000 ("Synthesizer" Aquemini)

Cellar_masters_025

BBq'd Black Cod, Taiwanese barbeque wet rub, 7 spice taro root chips, micro shiso, XO sauce

profile:  salty, sweet, spicy, earthy, grassy

This is an Asian fish and chip dish.  We used Bull's Head brand Taiwan barbeque sauce as a marinade and coating for the black cod which arrived incredibly fresh.  We procured some baby shiso leaves from Tropical Delights in Homestead, FL.  The taro chips were dusted with our TW7spice blend and salt:

1 Tbsp  sichuan peppercorn, 4 tsp  fennel seed, 4 tsp  coriander seed, 4 tsp  cumin, 4 tsp  cinnamon, 4 tsp  ginger (toast all spices and grind in a spice mill)

Cellar_masters_033

"Beet Box" Duck, herbaceous duck rillette, beet confit, harlem peppered duck breast, beet sauce

profile:  wood herbs, salty, creamy fat, mild sweetness

Although no one in the group probably knew what beat box is, we wanted to throw it into a description.  We had been wanting to experiment with the sous-vide simple syrup confit method on beets.  Although it took a little more time than the less sturdy melons we used before, it did work with the encouragement of a simmering water bath.  More experimentation is needed with this.

The highlight of this plate for me is the rillette.  Again, more old school.  I wanted to make a really great duck confit, and was able to take up the 5 days that I need to do it right.  The result was one of my best.  Chef K put just as much love into the rillettes as he pulled the confit into thread-thin shreds and minced them up by hand with a little fresh herb.  It was so creamy and full of flavor... you just wanted to make a sandwich out of it.

Cellar_masters_052

Chocolate covered Cherry Lamb, cherry beurre monte, cocoa nib glace d'agneau, rosemary polenta, Jamaican mint

profile:  tart/sweet, nutty, cocoa, bitter, rosemary, mint, buttery

We are stretching to call this chocolate covered cherry, but technically it is.  The lamb loin was seared, sliced into medallions, and cooked very slowely in a mounted butter emulsion of dried cherries and madeira wine.  The lamb glace is infused with toasted cocoa nibs... hence the chocolate and the cherry.

The addition of a polenta cake flavored with rosemary and Jamaican mint was Chef K's idea at the last minute.  It set the dish up completely.  If you have never before tried Jamaican mint, I strongly suggest that you find some.  It has an entirely different flavor from traditional mint and it much more sturdy and better for drying and cooking.  A sprig of it sits on top of the lamb above.  This plate was a perfect match for almost any pinot.

Cellar_masters_059

Black Forest Pinot Noir, Trinidad spice cake, gianduja popcorn powder, sorbet, blackberry gelee 'noodles'

profile:  spice, berry, nutty, creamy, tart, chocolate

Fabian took a left turn into the twilight zone with this one... the gianduja popcorn powder and blackberry jelly noodles were a kick.  The Trinidad spice cake was a twist on a recipe in the last issue of Saveur.  I really cannot remember what the sorbet was, but I believe that it was a pinot noir sorbet.  The flavors of berry in this dessert were perfect for the featured wine.

Cellar_masters_041

Oregonzola Blue Cheese Marble, dried fruit, nuts, spices

profile:  aged cheese, creamy, nutty, spices, licorice

We are still using this technique since seeing it on the Ideas in Food blog.  It's so incredibly useful for designing a cheese course.  Incorporating similar concepts as the Cold Stone Creamery type ice cream shops, we simply take whatever flavors or essences we need to match a specific wine or other ingredient and pound them together.  To work with the flavor profiles of pinot noir, we mixed two Oregon blue cheeses, a little boursin for smoothness, dried apricot and fig, toasted sunflower seed and cashew, and a mixture of pink peppercorns, fennel seed and aniseed.

The technique, of course, is to pound all of these items together between plastic sheets with a flat mallet, chill in the freezer until sturdy, cut into shapes, and plate-up.  We lined up these plates before the meal began and let them sit out at room temperature.  The dish was so softened when served, that the guests could literally spread them onto flatbreads like butter.  The crunchiness provided by the nuts and spices hidden within provided a balance in textures with the dried fruit offering periodic bites of sweetness.

We finished the dinner with a mignardise of cocoa dusted grapes.  The leader of the group, having built a relationship with us through Chaine dinners, sent small glasses of each wine to the kitchen for us to experience.  Just having the opportunity to savor these elite pinot noirs made the dinner worth it for us.  3 of the glasses I sipped from were all from 1987 or earlier.  I regret that I do not have more information on the wines, but as I said in the beginning, it was sort of a blind tasting and bottles were brought in at random from everyone's cellars.  After indulging in so many great wines in one night, I now know why the group is called the Cellar Masters.  It really gave me a focus on the attributes that great pinot noirs have, and we are already planning to do another dinner with them in the spring.

Another side note:  Chef K was offered a culinary position in the Chaine des Rotisseurs by the chapter's Baille after the dinner.  The office was previously held by Chef Allen Susser.  He deserves it after so many years of orchestrating dinners for the organization.  Props to the playa!

10 December 2006

india cuisine

Pc090056

Yesterday, we did an extensive tasting for an Indian family who have booked a wedding with us for May 2007.  It is an unusual circumstance because they want a large representation of Indian cuisine.  Although we all share a common appreciation for the flavors and cooking heritage of India, it is a style that none of us are well versed at.  It took almost a complete day and a half of preparation (a lot of that time being devoted to researching recipes and trying to comprehend and streamline the processes).  The dish shown above is red dahl with roti and okra fried in pakora batter.  We represented other items such as mulligatawny, biryani, samosas, pickles, various sauces and chutneys, and kebabs.

Preparing these items was made more interesting as we also began on the pre-preparation of a dinner booked for Tuesday night featuring French-style pate de campagne, duck confit (to be pounded into rillettes), and sweetbreads.  It would be difficult to find two types of cuisine with more contrasts in concept and flavor.  I could also take it a step further to note that on the first night of preparation, we were putting out a kosher wedding in our banquet kitchen... more contrast (I guess we are just well versed like that!)

We were very surprised in the end to proclaim that the Indian family loved our representations of their cuisine.  Compliments like that make the efforts worth it.  It is ironic that their favorite sauce was a green chile chutney (the only recipe that I completely created out of my head for lack of an authentic recipe).  Their only constructive criticisms were that the spices should be more intense and the vegetables in certain dishes should be cooked very soft (not al dente).  These are things to keep in mind for the future.

05 December 2006

hot gelatin

Versa_whip_gelatin_037

This is a photo of a very simple mint tea gelee.  The very cool thing about it, however, is that it is actually steaming hot in this shot.  I tried to capture the vapors of steam coming off of it, but my photography isn't that technical.

The gelatin was placed into a microwave for 30 seconds which took it to a high (too hot to hold) thermal state.

Versa_whip_gelatin_038_1

To further demonstrate the amount of heat I applied to the gelatin, here is another photo of it under the flame of a blowtorch.  There was no indication of the slightest bit of melting along the surface.  It is amazing to me that the gelee will actually burn before melting.  I love this picture because you can see the edges glowing from the intense heat.

I have never burned gelatinized food before, but there was an aroma of 'paint' in the air afterwards... not sure if that's from the gelatin or the mint or something eluding me.

Versa_whip_gelatin_041_1

Here it is in its afterstate... charred mint tea gelee.  Interesting to say the least.  There are many ways that we hope to apply this technique.  One of Chef K's suggestions is to throw off the occasional guest that requests mint jelly with their lamb.  Instead of giving them the standard green mint flavored apple jelly right from the jar, throw out a plate of steaming hot mint tea gelee sweetened with honey.

Our recipe needs to be tweaked in a couple of directions, but I will post the recipe once we have it finallized.  The gelatin's heat stability is achieved by mixing Activa RM into the gel in it's liquid state, and allowing to 'set' overnight.  The proportions we used in this example yielded a gelatin that feels too rubbery.  After readjusting the percentages of gelatin to Activa to liquid, I will post again.  Until that time, I cannot help but feel amazed at this lump of charcoal jelly.

03 December 2006

the mole recipe's ingredients

Here are the ingredient amounts for the kola nut & cocoa nib mole in the last post...

  • 2C kola nuts (plus enough water to cook them in)
  • 2C cocoa nibs
  • 15ea aji amarillo chiles (dried, stems removed)
  • 15ea arbol chiles (dried, stems removed)
  • 5ea guajillo chiles (dried, stems removed)
  • 2oz bacon fat (or lard)
  • 2ea yellow onion (diced)
  • 2T minced garlic
  • 1t cumin seed
  • 1t cinnamon (ground)
  • 1/2t anise seed
  • 1/2t clove (ground)
  • 1/2t allspice (ground)
  • 6ea ripe tomato (diced)
  • 3C chicken stock
  • smoked sea salt
  • dark chocolate tabs

The water used to blanch the kola nuts and the dried chiles is not measured.  Because of the time lengthy cooking of the mole, consistency as well as adding the sea salt should be done to desired taste and feel.  The final step of pureeing the base should yield a very smooth thick liquid.

To use the mole as sauce, heat a small amount in a pan and whisk the dark chocolate into it.  If using the mole on roasted or grilled items, be sure to reserve any drippings and add to the mole to give it more balance with the final dish... I just can't say enough about utilizing pan drippings (a spoonful of good pan drippings is worth a gallon of stock).

Once again, I'm inviting the suggestions of the Mexican Mama's Kitchen.

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